What I Watched This Week: 30 Jun 2019

NEW SHOWS
Big Little Lies – “She Knows” (A-)
As the women try to find some sense of normalcy while everything is falling apart, things go from bad to worse for all of them. But the biggest twist is that as manipulative and judgmental as Mary Louise is, she’s got a point about Celeste being in a bad place to parent her kids.

The Handmaid’s Tale – “Under His Eye” (B+)
Speaking of going from bad to worse, Gilead ramps up its public executions of conspirers, resulting in the clearest example yet of the banality of evil. Having to hang people and then get on your way to other errands is some seriously disturbing shit. But now June’s daughter is gone, and she nearly murders the handmaid who ratted out the people helping her be reunited.

Stranger Things – Season 3 (B+ average)
Superior to Season 2, even if things couldn’t help but feel like we’ve done all this before. The show improved by focusing on what works – the relationships and references – and spending a little bit less time on mythology. The finale would be an excellent stopping point, but ain’t no way Netflix is going to end it there, and unfortunately might even reverse some of its big, show-altering decisions down the line. But for now, this was a terrific summer experience.

BINGEING
Chernobyl (A- average)
Bleak as hell, but an exceptionally well-done procedural. Yes, some of its dialogue was a bit on-the-nose, but the acting was tremendous, the direction superb and the make-up effects truly disturbing. I can see why this was a sensation.

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Streaming Picks: July 2019

FILMS
Top Picks
Under the Silver Lake – Prime 7/1
Drop Dead Gorgeous – Hulu 7/5
Apollo 11 – Hulu 7/20
Inglourious Basterds – Netflix 7/22

It’s actually an incredible month for movies on streaming platforms this month, which is a truly rare thing. Two of the year’s best films are already streaming, which is great for folks who missed them earlier in the year. Under the Silver Lake is David Robert Mitchell’s maligned, misunderstood neo-noir starring Andrew Garfield. You have to be tuned to its wavelength, but there are pleasures galore for people who are. Seeing Apollo 11 at Sundance this year is an experience I’ll never forget, but seeing it at home on a giant TV is an acceptable alternative.

And while Netflix does feature a lot of Martin Scorsese’s early work, none of those ’70s films are my favorites. Instead I’m saying “Bawn jorno” to Quentin Tarantino’s second-best film: the World War II alt-history epic Inglourious Basterds. Hard to believe it’s already been 10 years.

But really the most important news is that Drop Dead Gorgeous, one of the absolute funniest movies of all time, is finally streaming. This mockumentary about beauty pageants in small-town Minnesota has me laughing from beginning to end, features one of the most jaw-droppingly offensive musical numbers ever conceived, and includes Allison Janney throwing 100mph as local horndog Loretta.

Recent Selections
The Last Word – Hulu 7/2
The Brink – Hulu 7/4
Woman at War – Hulu 7/4
Marshall – Prime 7/7
Mary Poppins Returns – Netflix 7/9
Never Grow Old – Prime 7/13
Tabaluga – Prime 7/14
The Last Man – Hulu 7/18
Secret Obsession – Netflix 7/18
Trading Paint – Prime 7/19
Time Freak – Prime and Hulu 7/22
Serenity – Prime 7/23
Hellboy – Prime 7/23
I Trapped the Devil – Hulu 7/26
The Field Guide to Evil – Hulu 7/26
A Vigilante – Prime 7/27
After Darkness – Prime and Hulu 7/29
The Haunting of Sharon Tate – Prime 7/29
Along with the Gods: The Last 49 Days – Hulu 7/31
Arctic – Prime 7/31

Originals
Peterloo – Prime 7/3
Cities of Last Things – Netflix 7/11
4 latas – Netflix 7/12
Kidnapping Stella – Netflix 7/12
Point Blank – Netflix 7/12
Boi – Netflix 7/26
Girls with Balls – Netflix 7/26
The Son – Netflix 7/26
The Red Sea Diving Resort – Netflix 7/31

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What I Watched This Week: 23 Jun 2019

NEW SHOWS
Big Little Lies – “The End of the World” (A-)
The title is both literal and metaphorical, as the parents get in an uproar over the doom-and-gloom climate change curriculum at their kids’ school, and all the worlds the women had built come crashing down. It’s a dark contrast to the gorgeous surroundings, but it makes the show that much better.

The Handmaid’s Tale – “Household” (A-)
The show is almost always great when it leans into full-on horror. A trip to D.C. reveals just how much better June has it in Boston. In the nation’s desecrated capital, handmaids aren’t allowed to speak, and many have their lips literally sewn shut. And then there’s Chris Meloni, great as always, threatening war with Canada and alluding to some impulses that are almost certainly illegal in the country he serves.

CURRENT SHOWS
Big Little Lies – “Tell-Tale Hearts” (A)
A pretty astonishing hour of television as secrets are revealed and the lies people had been telling themselves get questioned. Plus, Meryl did the necklace-on-the-chin thing.

The Handmaid’s Tale – “Unknown Caller” (B+)
An act of kindness extended from Luke to Serena backfires, as the reunion with Holly brings her back to her selfish impulses. Now, she’ll use the full force of her husband’s position with the Gilead government to get the baby that’s not really hers back.

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What I Watched This Week: 16 Jun 2019

BINGEING
Deadwood – Season 2 (A- average)
The show takes a leap as the consequences of everyone’s actions come to pass. Ian McShane cements his performance of Al Swearengen in the pantheon of great TV performances, even though (or especially because) he spent much of the first half of the season silent, except for painful screams as he suffered from kidney stones. Getting dragged into society tooth-and-nail, there’s a lot of violence as the showdown between who will annex the camp begins.

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What I Watched This Week: 9 Jun 2019

NEW SHOWS
Big Little Lies – “What Have They Done?” (B+) / season premiere
It has been two years, so I suppose some re-introductions are necessary. But the show will only get better and deeper as the season goes along. Meryl Streep of course kills it, but I was more impressed by Adam Scott, finally doing more than being a cuckold.

The Handmaid’s Tale – “God Bless the Child” (B)
Most of this episode is the best the show has been all season. But for some reasons all the scenes with Alexis Bledel and Clea DuVall fell extremely flat, holding it back from greatness.

A.P. Bio
“Ride the Ram” (B+)
“Kinda Sorta” (A-) / series finale
While the show never quite became something great, this was the most purely enjoyable watch of 2019. This pair of episodes is a fitting end, as Jack realizes the error of his ways and embraces Toledo, and especially his friendship with Durbin and relationship with Lynette. But his shift never feels out of character. I wish this could have lasted longer, but I’m glad we got these 26 delightful episodes.

OLD SHOWS
King of the Hill (Season 9) – “Ms. Wakefield” (A-)
A rare episode I’d never seen, this is an extremely dark but ultimately heartwarming Christmas episode. An elderly woman (guest star Marion Ross) comes to visit the Hill house. She used to live there, at least until her sister died. And now she refuses to leave until she does the same. It’s a pretty morbid premise, and shockingly everyone is against Hank, who finds the whole thing extremely disturbing. It’s still impressive how excellent this show remained to the end.

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What I Watched This Week: 2 Jun 2019

NEW SHOWS
The Handmaid’s Tale
“Night” (B+) / season premiere
“Mary and Martha” (B)
“Useful” (B)

If you were out after last season – which I thought improved upon Season 1 in many ways, frustrating finale notwithstanding – it’s doubtful these first three episodes will pull you back in. But the performances and cinematography are still excellent, even when the writing’s not as powerful as it used to be. Plus, it’s not like this show is in any way relevant to the real world.

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What I Watched This Week: 26 May 2019

NEW SHOWS
Killing Eve – “You’re Mine” (A-) / season finale
A controversial episode to be sure, but I think all the choices make sense for the characters. It had to end this way, making perfect symmetry with the first season finale, only now Eve’s gone to the dark side, as much as she wishes she could take it back.

A.P. Bio
“Handcuffed” (B+)
“Spectacle” (B)
The former was a delightful, teacher-centric episode, as Jack tries to keep Mary from getting back with her gross substitute boyfriend. Eddie Leavy also gets a chance to shine, filling in for Principal Durbin to deliver the worst news. The latter is a fun look at the annual talent show, but its emotional crux is a student we’ve hardly ever seen, so it’s not as touching. But it is quite funny.

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Streaming Picks: June 2019

FILMS
Top Picks
True Grit (2010) – Hulu and Prime 6/29
Spider-Man: Into the Spider-Verse – Netflix 6/26
The Coen Brothers’ take on the John Wayne Western is one of the best remakes of all time, featuring phenomenal performances from Jeff Bridges and Hailee Steinfeld. The film infamously went 0-10 at the Oscars, which is a real shame. At least it was the brothers’ biggest box office hit, earning more than $250 million worldwide. It of course features gorgeous cinematography from Roger Deakins.

But at least the Academy got 2018’s Animated Feature Oscar right, bestowing the usually Disney-reserved award upon Sony’s breathtaking and surprisingly moving journey through the many Spider-Men (and women) of the multi-verse. You’ll be dazzled, but you may want to bring some tissues.

Recent Selections
Vox Lux – Hulu 6/3
Alles ist gut – Netflix 6/6
Home Again – Prime 6/7
Vice – Hulu 6/10
I Still See You – Hulu 6/11
Ralph Breaks the Internet – Netflix 6/11
Out of the Blue – Hulu 6/21
Hurley – Hulu 6/24
Juliet, Naked – Hulu and Prime 6/24
Diane – Hulu 6/28
20th Century Women – Netflix 6/28
The Spy Who Dumped Me – Hulu and Prime 6/29

Originals
Ask Dr. Ruth – Hulu 6/1
Oh, Ramona! – Netflix 6/1
Chasing Happiness – Prime 6/4
The Black Godfather – Netflix 6/7
Elisa & Marcela – Netflix 6/7
I Am Mother – Netflix 6/7
Rock My Heart – Netflix 6/7
Rolling Thunder Revue – Netflix 6/12
The 3rd Eye 2 – Netflix 6/13
Cinderella Pop – Netflix 6/14
Yardie – Prime 6/17
Beats – Netflix 6/19
The Edge of Democracy – Netflix 6/19
Le Chant du Loup – Netflix 6/20
Jaoon Kahan Bata Ae Dil – Netflix 6/21
La misma sangre – Netflix 6/21

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What I Watched This Week: 19 May 2019

NEW SHOWS
Game of Thrones – “The Iron Throne” (B) / series finale
For a casual fan, it was mostly satisfying. Though it’s clear this season was too rushed for all the emotional beats to have their maximum impact. Sansa may have been the most “deserving,” but Bran as the King is the best compromise. There never would have been peace with Sansa as ruler of the Seven Kingdoms. She still gets her throne, but her land is a bit smaller. That works better for everyone, I think. Jon ends up exiled for doing the right thing, which seems about right. Really, the only character shortchanged by this finale is Brienne, who prints the legend on Jaime, leaving out his complete lack of backbone. But the idea that everyone would get what he/she wants or deserves was always foolishness for a show like this. I’m glad I never got truly invested, because I don’t see how a devoted viewer can walk away from this finale happy. But for me, it was just fine.

Barry – “berkman > block” (A) / season finale
Like Robert De Niro in Heat, Barry could have made a clean getaway. But his rage at someone who had wronged him overtook him, and it could be his downfall. In his desperate hunt for Fuches, he goes back to what he knows best: killing people. A lot of “innocent” (if you can use such a word for underworld types) people die at his hand, including his own students. He’s almost honest with himself, but he still couldn’t confess to Janice’s murder, pinning it on the Chechens. Sally couldn’t be real either, turning her honest showcase into a crowd-pleasing bit of overacting. She could have had success on her terms, but chose the easy way out. Barry and Gene may both be free, but now they both know the truth, and it may lead to their mutual destruction.

Killing Eve – “Wide Awake” (B+)
The show moves in a disturbing psychosexual direction, as Villanelle’s mark likes to watch… everything. The finale should be explosive, as Eve’s colleague in the psychology department and her ex-teammate both warn her not to go to Rome for her own safety, and she ignores them both, because of her insatiable desire to be closer to Villanelle. But the latter’s bloodlust has claimed a victim close to Eve, though not one she necessarily will miss.

The Lonely Island Presents the Unauthorized Bash Brothers Experience (B)
This surprise release isn’t quite on par with their best work, but it’s frequently hilarious. The accompanying album is actually better. Only some of the visual gags improve upon the genius songs.

BINGEING
Fleabag – Season 2 (A average)
I thought Barry had it in the bag to be my No. 1 show again. But then Phoebe Waller-Bridge came along and broke my heart. The show’s writing is truly next level, and so is her performance. Like Barry, it’s also grappling with whether people can truly change. Unlike it, I think the show, while ending in a bittersweet place, believes it’s possible.

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What I Watched This Week: 12 May 2019

NEW SHOWS
Game of Thrones – “The Bells” (A)
The show hit its season high, as Dany did exactly what most feared she would do, logic be damned. It’s amazing how much clearer and devastating the impact is when you shoot the battle in broad daylight. A lot of people are going to say Dany’s “turn” came out of nowhere, but she’s always demanded unwavering loyalty, and if she didn’t get it, she’d kill you. She briefly held back on that this season because she loved Jon, but that’s over now. She’s getting revenge, yes, but also preventing future betrayal. And it’s also because she’s incredibly vain. As bad a queen as Cersei was (which we never really saw, because this season was only six episodes), the residents of Kings’ Landing weren’t just going to bend the knee immediately. And in her mind, that’s disloyalty. So the cycle of abuse continues, and there will have to be yet another coup.

Barry – “The Audition” (A)
Pairing Barry – which many people didn’t think even needed a second season – with this last season of Game of Thrones has proven the Bill Hader comedy is the superior show. Higher stakes, better acting, better direction, more intense fight scenes. The cliffhanger this ends on is the most on-edge I’ve been since the Season Two finale of Silicon ValleyBarry has it all, and so far it’s going to be my No. 1 show again.

Veep – “Veep” (A-) / series finale
About as satisfying a finale as one could hope for, with Selina compromising literally every last shred of dignity and decency in her bid for the White House. It works, of course, because no show was ever so cynical about U.S. politics. But it’s lonely at the top, and 24 years later, the only one to actually mourn her is Gary, whom she made the fall guy for the Meyers’ financial misdeeds. And of course, Selina has to suffer one last indignity, as the honor guard has to keep shoving her casket into a vaginal-shaped final resting place (“They can’t find the crypt!”), and then gets swept right out of news coverage with the death of someone America actually loves.

Killing Eve – “I Hope You Like Missionary!” (B+)
Jodie Comer does some of her best acting to date in the group therapy session, but the show is walking a tightrope, daring to tip Villanelle into fully unlikable territory, what with the unnecessary murder and implied double murder. But the show’s chaotic energy fuels it even in the darkest moments.

Brooklyn Nine-Nine
“Sicko” (A-)
“Suicide Squad” (A) / season finale
The only thing that sucks about this show is it’s so good, and we won’t get any new episodes until 2020. “Sicko” was another solid case-of-the-week, with a great reprise from Tim Meadows. But they went all-out for the complicated heist/revenge plot for the season finale, which features double-crosses, triple-crosses (and possibly quadruple-crosses?) in an incredible team-up featuring the show’s most aggressively annoying (in a good way) enemies of the past.

BINGEING
The ABC Murders (B average)
The BBC’s Agatha Christie adaptation is solid, but never excellent. John Malkovich is terrific as an aging Poirot with a dark past – though not as much as spent on this as it should have been to make it as impactful as it’s hoping. The alleged killer (Eamon Farren) is suitably creepy, and its second episode is absolutely disgusting, in a good way. But Rupert Grint is woefully miscast as a grizzled detective. Win some, lose some.

OLD SHOWS
Dr. Quinn, Medicine Woman (Season 1) – “The Law of the Land” (A)
My wife has started watching this on Prime, and despite being pretty dated, it’s shockingly relevant in some places. This episode, guest starring Johnny Cash as the new sheriff in town, could easily air today without a single change. When Swedish immigrants are out of work because the mines are closed, they resort to stealing food and garbage. When one kills a cow to feed his family, the townsfolk immediately want to hang him without a trial, and want to kick out all immigrants, even though they’re immigrants themselves. “Well, that’s just the law,” they say. Pretty depressing how nothing has changed in 25 years, nor in the 150 since the show was set.

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