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NEW SHOWS The Handmaid’s Tale – “The Wilderness” (A) / season finale This season was all over the place, narratively and emotionally. But they pulled off a satisfying, if gruesome, finale. This has easily been the worst season, but of course I’m still in for whatever they’ve got cooked up next. Still, they shouldn’t keep this going for too much longer.
BINGEING Avatar: The Last Airbender – Season 3 (A- average) While the first half of the season gave me a “When are they going to get to the fireworks factory?” feeling, the back half was all payoff, with a completely satisfying four-part finale.
Hacks – Season 1 (A- average) A whip-smart show that got better as it went along, this is the most pleasant surprise of the year. Give Jean Smart that Emmy now!
Master of None – Season 3 (A- average) There are few edits and even fewer laughs in this quasi spin-off featuring Denise (Lena Waithe), now married to Alicia (a radiant Naomi Ackie), and the ups and downs of their relationship. The writing feels natural and the blocking and cinematography are gripping. The fourth episode will be among the best single episodes of TV this year.
NEW SHOWS The Handmaid’s Tale – “Progress” (B-) The show doesn’t address any of the things it’s brought up. Instead, characters act completely unlike themselves. You keep waiting for another shoe to drop, but it never does. It’s still made at a high level, but it can’t help but feel a little frustrating.
NEW SHOWS Mare of Easttown – “Sacrament” (A-) / limited series finale A satisfying, devastating finale, with acting showcases from Kate Winslet and Julianne Nicholson. This is going to be hard for any show to top.
The Handmaid’s Tale – “Testimony” (A-) Finally, the gambles the show is taking are paying off. It’s a bold move to have June, finally free, regaining her power to become a worse person, thriving on others’ misery and anger. There seems to be no way this will end positively, but I have no idea where they’re going to take it.
CURRENT SHOWS & SPECIALS Bo Burnham: Inside (A-) All descriptions of this show being “revolutionary” or “essential” are overblown. This is essentially Bo’s usual shtick, but the single location forced him to be even more creative than usual.
FILMS Top Picks Dr. Strangelove – HBO Max 6/1 Seeking a Friend for the End of the World – Prime 6/1 Gone Girl – Hulu 6/15 Luca – Disney+ 6/18
It’s the end of the world as we know it… and I feel fine.
Stanley Kubrick’s satire hasn’t aged a day, especially if you view it in light of the government’s response to COVID-19. It’s one of the sharpest, funniest movies ever made.
Lorene Scafaria is one of the most underrated filmmakers of her generation, and this moving dramedy marked her arrival. It was a flop, but it’s a movie that means a lot to me.
And Gone Girl is of course the supremely fucked-up love story from David Fincher, the last thing he did before working exclusively for Netflix. It gets better every time I watch it, and it’s all the more baffling it only picked up Oscar nomination.
Finally, Disney continues to give Pixar short shrift, with yet another animated film going straight to their streaming service instead of getting a theatrical run (or at least a hybrid situation). It’s bound to be another beautiful story of friendship, but don’t expect anything explicitly queer from this mega-corporation.
Recent Selections Black Holes: The Edge of All We Know – Netflix 6/1 Doctor Sleep (Director’s Cut) – HBO Max 6/1 Hurley – Prime 6/1 Keith Haring: Street Art Boy – Prime 6/1 Kajillionaire – HBO Max 6/1 Shazam! – HBO Max 6/1 The Wedding Guest – Netflix 6/1 The Wind – Netflix 6/1 2 Hearts – Netflix 6/2 A Glitch in the Matrix – Hulu 6/3 Night of the Kings – Hulu 6/3 Raya and the Last Dragon – Disney+ 6/4 Rams – Hulu 6/5 Killerman – HBO Max 6/8 The Croods: A New Age – Hulu 6/9 Young Hearts – HBO Max 6/9 Camellia Sisters – Netflix 6/10 Trust – Hulu 6/10 Two of Us – Hulu 6/10 Come True – Hulu 6/11 Pinocchio – Prime 6/11 The Devil Below – Netflix 6/13 Picture a Scientist – Netflix 6/13 Willy’s Wonderland – Hulu 6/13 Born to Play – Hulu 6/15 Her Deadly Sugar Daddy – Hulu 6/15 Her Name Is Chef – Hulu 6/15 Michael Smerconish: Things I Wish I Knew Before I Started Talking – Hulu 6/15 Nasrin – Hulu 6/15 The Obituary of Tunde Johnson – Hulu 6/15 The Outside Story – Hulu 6/15 Secret Life of a Celebrity Surrogate – Hulu 6/15 Phobias – Hulu 6/17 Fatale – HBO Max 6/19 The Seventh Day – Netflix 6/24 Safer at Home – Hulu 6/27 Harvie & the Magic Museum – Hulu 6/29 Lying and Stealing – Netflix 6/30
Originals El Nombre del Hijo – HBO Max 6/1 Carnaval – Netflix 6/2 Dancing Queens – Netflix 6/3 Pretty Guardian Sailor Moon Eternal: The Movie – Netflix 6/3 The Conjuring: The Devil Made Me Do It – HBO Max 6/4 El Ultimo Balsero – HBO Max 6/4 Trippin’ with the Kandasamys – Netflix 6/4 Xtreme – Netflix 6/4 Awake – Netflix 6/9 Tragic Jungle – Netflix 6/9 In the Heights – HBO Max 6/11 Skater Girl – Netflix 6/11 Silver Skates – Netflix 6/16 A Family – Netflix 6/18 Fatherhood – Netflix 6/18 Jagame Thandhiram – Netflix 6/18 Good on Paper – Netflix 6/23 False Positive – Hulu 6/25 The Ice Road – Netflix 6/25 America: The Motion Picture – Netflix 6/30
NEW SHOWS Mare of Easttown – “Sore Must Be the Storm” (A-) Felt a little overstuffed, but once again the emotions and the incredible acting took this to another level. And we had another lump-in-the-throat cliffhanger, plus more Jean Smart greatness.
The Handmaid’s Tale – “Home” (A) The first truly great episode of the season, as June adjusts to a land where she’s allowed to do all the things she was forbidden in Gilead: Sleep as long as she likes, shower, shop, read, and have sex that’s strictly about her pleasure. But she’ll still be dealing with her psychological wounds for a long time, and her ways of coping thus far aren’t necessarily healthy.
Friends: The Reunion (C) For a show that was and remains extremely popular, this felt wildly unnecessary and overlong. And I say that as a fan of the show. Nothing can prepare you for the sight of Matthew Perry with a fresh set of dentures.
BINGEING The X-Files – Season 4 (A- average) The best season yet, with even more all-time episodes. Gillian Anderson is simply on another level. It’s no surprise she won the Emmy for this season.
NEW SHOWS Mare of Easttown – “Illusions” (A) I wanted a breakthrough in the case, but not like this. The last 15 minutes or so were a masterclass in tension. Unless they blow it in these last two episodes, I don’t think I’ll see a better show this year.
The Handmaid’s Tale – “Vows” (B-) The shortest episode to date, but one supercharged with emotions. There were times I felt compelled and empathetic, but others when I just wanted to shake June and tell her to shut up. Knowing there are four episodes left, and at least one more season, I’m not sure how they’ll be able to keep this going without dragging their feet.
NEW SHOWS Mare of Easttown – “Poor Sisyphus” (B+) A bit overstuffed, but it’s still rich with deeply human emotion and moments of levity. Enid Graham makes a play for Supporting Actress in a Limited Series with a subplot that seemed a little too ridiculous at first but resolved in a deeply sad way.
The Handmaid’s Tale – “Chicago” (B-) The show seems stuck in a weird pattern where former handmaids are getting picked off one by one, yet things keep going back to normal in Gilead, usually by someone blackmailing Commander Lawrence (Bradley Whitford). It’s making it harder to be invested in the show, though that may change since this is clearly a pivot episode.
BINGEING Avatar: The Last Airbender – Season 2 (A-) The show somehow got even better, and the parallels in the back half of the season to the Iraq War are unmistakable.
NEW SHOWS Mare of Easttown – “Enter Number Two” (A-) Mare’s self-destructive tendencies catch up with her, with damaging results. But those results are less than she deserves. In this town, everyone covers for each other, which might be why there are two unsolved murders.
The Handmaid’s Tale – “Milk” (B) A thoroughly unpleasant episode, but one that gives Rita and Madeline the attention they deserve. The former gets to move on, while the latter’s flashbacks reveal someone who’s not just a fuck-up.
The pandemic robbed us of not just a summer movie season, but a year’s worth of theatrical experiences. But with more than 100 million vaccinated and many theaters reopening – even if not at full capacity – it’s time to once again to load up on popcorn and soda and let the images wash over us.
Wrath of Man (May 7) Starring Jason Statham, Holt McCallany, Josh Hartnett, Jeffrey Donovan Screenplay by Guy Ritchie & Marn Davies and Ivan Atkinson Directed by Guy Ritchie After a decade of diminishing returns with IP, Guy Ritchie got back to his roots with The Gentlemen, which featured all the best and worst qualities of a Guy Ritchie film. Here, he reunites with Statham, who plays an mob boss who goes undercover as an armored truck driver to find out who killed his son. If theaters hadn’t been closed, this absolutely would have been a “dumped in January” film, but a movie this low-rent being the summer opener is fitting.
Those Who Wish Me Dead (May 14) Starring Angelina Jolie, Nicholas Hoult, Aidan Gillen, Finn Little Screenplay by Michael Koryta and Charles Leavitt and Taylor Sheridan Directed by Taylor Sheridan A lot of people seem to absolutely despise Taylor Sheridan, but his movies have worked for me, except for that horrendous Sicario sequel. This is his second directorial effort, after the underrated Wind River. It marks the return of Angelina Jolie, action star. She plays a fire tower watcher forced into a life-or-death situation when she comes across a boy on the run from assassins.
A Quiet Place Part II(May 28) Starring Emily Blunt, Millicent Simmonds, Noah Jupe, Cillian Murphy Written and directed by John Krasinski The first film was an incredible in-theater experience, but it didn’t hold up on repeat viewings. That script was pretty bad and relied on some maudlin parental sacrifice stuff. But this sequel ditches Krasinski (who appears only in flashbacks) and expands the scope as the family looks for other survivors.
The Conjuring: The Devil Made Me Do It (June 4) Starring Vera Farmiga, Patrick Wilson, Ruairi O’Connor, Julian Hilliard Story by David Leslie Johnson-McGoldrick & James Wan Screenplay by David Leslie Johnson-McGoldrick Directed by Michael Chaves Losing James Wan as director means there’s no way this will be as good as the first two films. But there’s still a chance this will offer some serious scares.
In the Heights (June 11) Starring Anthony Ramos, Jimmy Smits, Dascha Polanco, Stephanie Beatriz Screenplay by Quaiara Alegria Hudes Directed by Jon M. Chu Lin Manuel-Miranda’s first musical phenomenon gets the big-screen treatment, almost a year after it was originally supposed to hit theaters. Not only is this our first major musical since Christmas 2018 (when The Greatest Showman opened), it’s actually directed by someone with serious dance and musical experience. This should be the non-superhero film of the summer.
The Sparks Brothers (June 18) Directed by Edgar Wright The Maels have been crafting endlessly clever pop music for more than 50 years, but are widely unknown to all but the biggest music nerds in the U.S. Thankfully, superfan Edgar Wright dedicated months to putting out a definitive documentary, interviewing dozens of collaborators and fans, including Beck, “Weird Al” Yankovic and Patton Oswalt.
Zola (June 30) Starring Taylour Paige, Riley Keough, Colman Domingo, Nicholas Braun Screenplay by Janicza Bravo & Jeremy O. Harris Directed by Janicza Bravo The first, and to date I believe the only, film based off a Twitter thread, Zola is the wild semi-true story of the titular woman (Taylour Paige) and the crazy trip through Florida’s underbelly she took with Stefani (Riley Keough). Will it live up to the original story? Reviews from the 2020 Sundance Film Festival suggest it does.
NEW SHOWS 93rd Annual Academy Awards (B-) There were some interesting new directions with pacing and structure. No songs and only one bit of banter that resulted in eight-time nominee Glenn Close putting that backfield in motion. But then they whiffed the ending. Moving Best Picture was a big mistake, and ending on an award where the expected posthumous winner lost, and the actual winner was MIA was an outright disaster.
Mare of Easttown – “Fathers” (A) Basically on par with the tremendous premiere, only now there’s an even more potent mix of humor and dread. We’ve got a new partner (Evan Peters, finally getting to work on a miniseries that has an idea of where it’s going), a stalker (the parent of an especially nasty girl who assaulted the murder victim) and another possible homicide (courtesy of the father of the dead girl). Oh, and a potentially horrifying revelation about the father of the dead girl’s baby.
The Handmaid’s Tale “Pigs” (B) / season premiere “Nightshade” (B+) “The Crossing” (A-) Takes a while to get going, but it all culminates in an intense third episode. It would get an A were it not for the last-second killing of two characters that came out of nowhere and felt cruelly unnecessary.
