Streaming Picks: July 2021

FILMS
Top Picks
The Conversation – Hulu 7/1
No Sudden Move – HBO Max 7/1
Rear Window – Prime 7/1
Summer of Soul – Hulu 7/2
The Empty Man – HBO Max 7/17
This is honestly one of the greatest movie months I’ve ever seen among the five streaming services. The Conversation and Rear Window are two of the greatest movies ever made, tales of obsession and paranoia that remain just as vital today.

No Sudden Move is the latest from Steven Soderbergh, which is always a cause for celebration. It’s got an absolutely astonishing cast (including Don Cheadle, Benicio Del Toro, Jon Hamm and Brendan Fraser) and frigid Detroit landscape, perfect for a crime movie.

Summer of Soul is Questlove’s directorial debut, a concert doc about the Harlem Cultural Festival, which was just as important as Woodstock in the summer of 1969, but only got a fraction of the contemporary and historical coverage.

And finally, The Empty Man is available for a wider audience to join the cult. This 2020 horror film sat on the shelf for many years and became an extremely low priority for Fox, especially after the Disney acquisition. It got dumped unceremoniously in theaters last fall, before finding a passionate audience on VOD. I’m one of those devotees. Your mileage may vary on the ending, but this is a stunning directorial debut either way.

Recent Selections
An Acceptable Loss – Hulu 7/1
The Best of Enemies – Netflix 7/1
Born to Play – Netflix 7/1
Hampstead – Netflix 7/1
Judas and the Black Messiah – HBO Max 7/1
Mary Magdalene – Netflix 7/1
Ode to Joy – Hulu 7/1
Stray – Hulu 7/1
Sword of Trust – Netflix 7/1
Bill & Ted Face the Music – Hulu 7/2
Dreamcatcher – Hulu 7/3
Let Him Go – HBO Max 7/3
Shiva Baby – HBO Max 7/7
This Little Love of Mine – Netflix 7/7
Human Capital – HBO Max 7/8
The Hunt – HBO Max 7/8
Barb & Star Go to Vista Del Mar – Hulu 7/9
Moffie – Hulu 7/9
Our Friend – Prime 7/9
Tom & Jerry – HBO Max 7/15
Cosmic Sin – Netflix 7/17
Milkwater – Netflix 7/20
Still Working 9 to 5 – Netflix 7/22
Freaky – HBO Max 7/24
The Operative – Netflix 7/27
The Resort – Hulu 7/27
Fantastic Fungi – Netflix 7/28
The Vault – Netflix 7/31

Originals
¡Come! – HBO Max 7/1
Dynasty Warriors – Netflix 7/1
Mobile Suit Gundam Hathaway – Netflix 7/1
The 8th Night – Netflix 7/2
Fear Street: 1994 – Netflix 7/2
Haseen Dillruba – Netflix 7/2
Lo Que Siento por Ti – HBO Max 7/2
The Tomorrow War – Prime 7/2
Major Grom: Plague Doctor – Netflix 7/7
Black Widow – Disney+ 7/9
Fear Street: 1978 – Netflix 7/9
How I Became a Superhero – Netflix 7/9
Last Summer – Netflix 7/9
A Classic Horror Story – Netflix 7/14
The Guide to the Perfect Family – Netflix 7/14
Gunpowder Milkshake – Netflix 7/14
A Perfect Fit – Netflix 7/15
My Amanda – Netflix 7/15
Deep – Netflix 7/16
Fear Street: 1666 – Netflix 7/16
Space Jam: A New Legacy – HBO Max 7/16
Chernobyl 1986 – Netflix 7/21
Bankrolled – Netflix 7/23
Blood Red Sky – Netflix 7/23
Corazon de Mezquite – HBO Max 7/23
Kingdom: Ashin of the North – Netflix 7/23
The Last Letter from Your Lover – Netflix 7/23
Batkowiak – Netflix 7/28
Resort to Love – Netflix 7/29
Jungle Cruise – Disney+ 7/30
The Last Mercenary – Netflix 7/30
Uno Para Todos – HBO Max 7/30

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What I Watched This Week: 20 Jun 2021

NEW SHOWS
Conan (A) / series finale
I rarely watched this latest iteration of Conan O’Brien doing weird bits and talking to celebrities, and definitely not since he trimmed the show to a half-hour. But the best thing I can say about this star-studded finale is that I regret not tuning in more often. The clips were great, the final interview (with Jack Black) was hilarious and unpretentious, and the farewells were heartfelt. No one exactly knows what his form his deal with HBO Max will take, but this was a great pitch for whatever that ends up being.

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What I Watched This Week: 13 Jun 2021

NEW SHOWS
The Handmaid’s Tale – “The Wilderness” (A) / season finale
This season was all over the place, narratively and emotionally. But they pulled off a satisfying, if gruesome, finale. This has easily been the worst season, but of course I’m still in for whatever they’ve got cooked up next. Still, they shouldn’t keep this going for too much longer.

BINGEING
Avatar: The Last Airbender – Season 3 (A- average)
While the first half of the season gave me a “When are they going to get to the fireworks factory?” feeling, the back half was all payoff, with a completely satisfying four-part finale.

Hacks – Season 1 (A- average)
A whip-smart show that got better as it went along, this is the most pleasant surprise of the year. Give Jean Smart that Emmy now!

Master of None – Season 3 (A- average)
There are few edits and even fewer laughs in this quasi spin-off featuring Denise (Lena Waithe), now married to Alicia (a radiant Naomi Ackie), and the ups and downs of their relationship. The writing feels natural and the blocking and cinematography are gripping. The fourth episode will be among the best single episodes of TV this year.

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What I Watched This Week: 6 Jun 2021

NEW SHOWS
The Handmaid’s Tale – “Progress” (B-)
The show doesn’t address any of the things it’s brought up. Instead, characters act completely unlike themselves. You keep waiting for another shoe to drop, but it never does. It’s still made at a high level, but it can’t help but feel a little frustrating.

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What I Watched This Week: 30 May 2021

NEW SHOWS
Mare of Easttown – “Sacrament” (A-) / limited series finale
A satisfying, devastating finale, with acting showcases from Kate Winslet and Julianne Nicholson. This is going to be hard for any show to top.

The Handmaid’s Tale – “Testimony” (A-)
Finally, the gambles the show is taking are paying off. It’s a bold move to have June, finally free, regaining her power to become a worse person, thriving on others’ misery and anger. There seems to be no way this will end positively, but I have no idea where they’re going to take it.

CURRENT SHOWS & SPECIALS
Bo Burnham: Inside (A-)
All descriptions of this show being “revolutionary” or “essential” are overblown. This is essentially Bo’s usual shtick, but the single location forced him to be even more creative than usual.

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Streaming Picks: June 2021

FILMS
Top Picks
Dr. Strangelove – HBO Max 6/1
Seeking a Friend for the End of the World – Prime 6/1
Gone Girl – Hulu 6/15
Luca – Disney+ 6/18

It’s the end of the world as we know it… and I feel fine.

Stanley Kubrick’s satire hasn’t aged a day, especially if you view it in light of the government’s response to COVID-19. It’s one of the sharpest, funniest movies ever made.

Lorene Scafaria is one of the most underrated filmmakers of her generation, and this moving dramedy marked her arrival. It was a flop, but it’s a movie that means a lot to me.

And Gone Girl is of course the supremely fucked-up love story from David Fincher, the last thing he did before working exclusively for Netflix. It gets better every time I watch it, and it’s all the more baffling it only picked up Oscar nomination.

Finally, Disney continues to give Pixar short shrift, with yet another animated film going straight to their streaming service instead of getting a theatrical run (or at least a hybrid situation). It’s bound to be another beautiful story of friendship, but don’t expect anything explicitly queer from this mega-corporation.

Recent Selections
Black Holes: The Edge of All We Know – Netflix 6/1
Doctor Sleep (Director’s Cut) – HBO Max 6/1
Hurley – Prime 6/1
Keith Haring: Street Art Boy – Prime 6/1
Kajillionaire – HBO Max 6/1
Shazam! – HBO Max 6/1
The Wedding Guest – Netflix 6/1
The Wind – Netflix 6/1
2 Hearts – Netflix 6/2
A Glitch in the Matrix – Hulu 6/3
Night of the Kings – Hulu 6/3
Raya and the Last Dragon – Disney+ 6/4
Rams – Hulu 6/5
Killerman – HBO Max 6/8
The Croods: A New Age – Hulu 6/9
Young Hearts – HBO Max 6/9
Camellia Sisters – Netflix 6/10
Trust – Hulu 6/10
Two of Us – Hulu 6/10
Come True – Hulu 6/11
Pinocchio – Prime 6/11
The Devil Below – Netflix 6/13
Picture a Scientist – Netflix 6/13
Willy’s Wonderland – Hulu 6/13
Born to Play – Hulu 6/15
Her Deadly Sugar Daddy – Hulu 6/15
Her Name Is Chef – Hulu 6/15
Michael Smerconish: Things I Wish I Knew Before I Started Talking – Hulu 6/15
Nasrin – Hulu 6/15
The Obituary of Tunde Johnson – Hulu 6/15
The Outside Story – Hulu 6/15
Secret Life of a Celebrity Surrogate – Hulu 6/15
Phobias – Hulu 6/17
Fatale – HBO Max 6/19
The Seventh Day – Netflix 6/24
Safer at Home – Hulu 6/27
Harvie & the Magic Museum – Hulu 6/29
Lying and Stealing – Netflix 6/30

Originals
El Nombre del Hijo – HBO Max 6/1
Carnaval – Netflix 6/2
Dancing Queens – Netflix 6/3
Pretty Guardian Sailor Moon Eternal: The Movie – Netflix 6/3
The Conjuring: The Devil Made Me Do It – HBO Max 6/4
El Ultimo Balsero – HBO Max 6/4
Trippin’ with the Kandasamys – Netflix 6/4
Xtreme – Netflix 6/4
Awake – Netflix 6/9
Tragic Jungle – Netflix 6/9
In the Heights – HBO Max 6/11
Skater Girl – Netflix 6/11
Silver Skates – Netflix 6/16
A Family – Netflix 6/18
Fatherhood – Netflix 6/18
Jagame Thandhiram – Netflix 6/18
Good on Paper – Netflix 6/23
False Positive – Hulu 6/25
The Ice Road – Netflix 6/25
America: The Motion Picture – Netflix 6/30

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What I Watched This Week: 23 May 2021

NEW SHOWS
Mare of Easttown – “Sore Must Be the Storm” (A-)
Felt a little overstuffed, but once again the emotions and the incredible acting took this to another level. And we had another lump-in-the-throat cliffhanger, plus more Jean Smart greatness.

The Handmaid’s Tale – “Home” (A)
The first truly great episode of the season, as June adjusts to a land where she’s allowed to do all the things she was forbidden in Gilead: Sleep as long as she likes, shower, shop, read, and have sex that’s strictly about her pleasure. But she’ll still be dealing with her psychological wounds for a long time, and her ways of coping thus far aren’t necessarily healthy.

Friends: The Reunion (C)
For a show that was and remains extremely popular, this felt wildly unnecessary and overlong. And I say that as a fan of the show. Nothing can prepare you for the sight of Matthew Perry with a fresh set of dentures.

BINGEING
The X-Files – Season 4 (A- average)
The best season yet, with even more all-time episodes. Gillian Anderson is simply on another level. It’s no surprise she won the Emmy for this season.

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What I Watched This Week: 16 May 2021

NEW SHOWS
Mare of Easttown – “Illusions” (A)
I wanted a breakthrough in the case, but not like this. The last 15 minutes or so were a masterclass in tension. Unless they blow it in these last two episodes, I don’t think I’ll see a better show this year.

The Handmaid’s Tale – “Vows” (B-)
The shortest episode to date, but one supercharged with emotions. There were times I felt compelled and empathetic, but others when I just wanted to shake June and tell her to shut up. Knowing there are four episodes left, and at least one more season, I’m not sure how they’ll be able to keep this going without dragging their feet.

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What I Watched This Week: 9 May 2021

NEW SHOWS
Mare of Easttown – “Poor Sisyphus” (B+)
A bit overstuffed, but it’s still rich with deeply human emotion and moments of levity. Enid Graham makes a play for Supporting Actress in a Limited Series with a subplot that seemed a little too ridiculous at first but resolved in a deeply sad way.

The Handmaid’s Tale – “Chicago” (B-)
The show seems stuck in a weird pattern where former handmaids are getting picked off one by one, yet things keep going back to normal in Gilead, usually by someone blackmailing Commander Lawrence (Bradley Whitford). It’s making it harder to be invested in the show, though that may change since this is clearly a pivot episode.

BINGEING
Avatar: The Last Airbender – Season 2 (A-)
The show somehow got even better, and the parallels in the back half of the season to the Iraq War are unmistakable.

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What I Watched This Week: 2 May 2021

NEW SHOWS
Mare of Easttown – “Enter Number Two” (A-)
Mare’s self-destructive tendencies catch up with her, with damaging results. But those results are less than she deserves. In this town, everyone covers for each other, which might be why there are two unsolved murders.

The Handmaid’s Tale – “Milk” (B)
A thoroughly unpleasant episode, but one that gives Rita and Madeline the attention they deserve. The former gets to move on, while the latter’s flashbacks reveal someone who’s not just a fuck-up.

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