Tag Archives: billy crystal

2010s in Review: The Best Comedy Specials

Stand-up grew into a major cultural force this decade, thanks to Netflix and its willingness to spend money on many comedians, including some that hadn’t gotten a shot at the big leagues yet. It was boon for the comedians as … Continue reading

Posted in Best Of, Television | Tagged , , , , , , , , , , , | Comments Off on 2010s in Review: The Best Comedy Specials

2014 in Review: The Best Shows – Honorable Mentions

As I mentioned previously, there was even more great TV than usual. So, as in years past, I’ve taken time to mention some shows that weren’t quite good enough on the whole to make my Top 10, but still turned … Continue reading

Posted in Best Of, Television | Tagged , , , , , , , , , , , , | Comments Off on 2014 in Review: The Best Shows – Honorable Mentions

Reactionary Tale: Emmy Nominations 2014

Procrastination got the better of me, and I never got around to posting my picks for this year’s ceremony, though I would have been dead on in several categories from my notes. But there’s still plenty to be excited and … Continue reading

Posted in Television | Tagged , , , , , , , , , , , , , , , , , , | Comments Off on Reactionary Tale: Emmy Nominations 2014

What I Watched This Week: 20 April 2014

NEW SHOWS The Following – “Silence” (C+) Better executed (no pun intended) than last week’s debacle, but it’s readily apparent – if it wasn’t already – that this show goes for the easiest, most obvious twists and never tries to … Continue reading

Posted in Reviews, Television | Tagged , , , , , , , | Comments Off on What I Watched This Week: 20 April 2014

The Weekender: The Whole Wide ‘World’

IN THEATERS: Monsters University* (G) Starring the voices of Billy Crystal, John Goodman, Helen Mirren Story and screenplay by Robert L. Baird, Daniel Gerson, Dan Scanlon Directed by Dan Scanlon Slump? What slump? This prequel is one of the most … Continue reading

Posted in Film, Previews, Reviews | Tagged , , , , , , , , , , , | Comments Off on The Weekender: The Whole Wide ‘World’