2020 in Review: The Best Performances – Film

Ensemble in a Comedy
Birds of Prey
Like its predecessor Suicide Squad, Birds of Prey has an enormous cast of characters who have graced the pages of DC Comics over the past decades. But that’s where its similarities end. For one, Birds of Prey is actually good. It’s a candy-colored blast that, unlike the majority of its brethren in the DCEU, gives its characters actual definition. Margot Robbie was the only good part of David Ayer’s misbegotten adaptation, and putting her in the lead of her own movie was a no-brainer. But she’s not the only one living it up here. Rosie Perez is terrific as usual as one of the few less dirty cops in Gotham, and Mary Elizabeth Winstead brings deadpan sexiness as the Huntress. But it’s Ewan McGregor who steals the show as the vain and violent Black Mask.

Actor in a Comedy
Jean Dujardin, Deerskin
When I first saw the trailer for the latest bit of absurdity from Quentin Dupieux, I thought one of our most dashing Oscar winners was too good for this nonsense. After seeing the film, it’s clear no one else could have pulled it off. Georges experiences a mid-life crisis and pays entirely too much for a deerskin jacket. Suddenly renewed, and with a camera the seller threw in at no charge, he recasts himself as a filmmaker with a penchant for extreme cinema. As his appetite for tacky luxury fashion grows, so does his urge to kill. It’s a wild 77-minute ride that only works because Dujardin makes it believable.

Actress in a Comedy
Cristin Milioti, Palm Springs
The summer’s most pleasant surprise threw everyone for a loop, pun intended. Andy Samberg is his usual charming self, but Milioti was a revelation, playing the sister of the bride, She’s tired of her humdrum life and guilt-ridden over her terrible secret. She’s the emotional anchor of the film, and the reason it was more than just a fun diversion.

Supporting Actor in a Comedy
Bill Burr, The King of Staten Island
There’s a case to be made that this is Judd Apatow’s finest film as a director. At a minimum, it’s his most mature work to date. While Pete Davidson does surprisingly earnest work as the lead of the film, the supporting cast steals it from him regularly: Bel Powley as his on-again/off-again girlfriend Kelsey; Marisa Tomei as his long-suffering mother Margie; and especially Bill Burr as Ray, a fireman with a short fuse and genuine love for Margie. Burr has recently become one of the most popular comedians in the world for his no-fucks-given observations about changing times, but between this and his guest spots on The Mandalorian, he’s become one of our best character actors too.

Supporting Actress in a Comedy
Maria Bakalova, Borat Subsequent Moviefilm
This was the first time 99.99% of people had seen Bakalova on-screen before, and what a jaw-dropping international debut. As Tutar, the daughter of disgraced correspondent Borat, she is every bit as fearless and funny as Sacha Baron Cohen. Because he’s too famous to do a lot of the shtick he made his name on, it was an enormous risk to hand over the reins to her for much of the film, but it paid off big time.

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2020 in Review: The Best and Worst Movies

10. Da 5 Bloods (dir. Spike Lee) – Streaming on Netflix
Messy, provocative, powerful. That’s a Spike Lee movie, all right. To me, this is his best effort since Inside Man: a reunion of four broken men, haunted by their experiences in Vietnam, and in over their heads as they hunt for buried treasure in a country that’s given them nothing but pain. While it’s a true ensemble film, Delroy Lindo is the center. His MAGA hat-wearing Paul has the most tenuous grasp on reality, which only deteriorates when their mission goes horribly wrong.

9. The Assistant (dir. Kitty Green) – Streaming on Hulu
I have never worked for a monster like Harvey Weinstein, who’s clearly the inspiration for the unseen boss in the film. But I have felt lost in the cogs of corporate machinery, and I have worked for a tyrant. And The Assistant nails that feeling, then adds the hopeless and helpless feelings of trying to do the right thing and not having anyone care. The meeting Jane has with her slimy HR rep (Matthew Macfadyen) is one of the most uncomfortable – and accurate – things I’ve seen all year.

8. Minari (dir. Lee Isaac Chung) – In select theaters Feb. 12
By now, you should all know that the American Dream is a lie. But for the Yi family in the 1980s, they still bought in. They had emigrated from South Korea to California, but had saved up just enough to buy some farmland and a trailer in Arkansas. But nothing goes smoothly once they arrive: a lack of water, childcare and clientele for their harvest all take their toll on the family and the marriage. But the performances across the board are so tender and winning that it never seems completely unbearable.

7. Never Rarely Sometimes Always (dir. Eliza Hittman) – Streaming on HBO MAX
Easily the winner of this year’s Revolutionary Road Award for Most Depressing Movie, this is still a journey worth taking. In two of the best performances of the year, Sidney Flanigan and Talia Ryder play cousins who travel from rural Pennsylvania to New York City so the former can obtain an abortion. Crucially, the film is never judgmental of any of the decisions the characters make, including the ways they survive when their trip gets unexpectedly extended. The relentless struggle and heartbreak feels authentic.

6. Another Round (dir. Thomas Vinterberg) – Available on VOD
This dark comedy feels both like a time capsule and a perfect movie for 2020. Bored with the monotony of their work and the apathy of their students, four teachers start an experiment to see if they can improve their job performance and personal lives by maintaining a solid buzz, but only during working hours. Unsurprisingly, it works until it doesn’t. Mads Mikkelsen is magnificent as usual, but he really goes for broke in the final scene, which is one of the most exuberant things I’ve seen all year.

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2020 in Review: The Best Songs

While I felt like I had no time to keep up with new albums, the initial version of this list stretched to 80 songs. But I was still able to whittle it down to 50 tracks. You can hear them all in this handy Spotify playlist.

The 1975 – “If You’re Too Shy (Let Me Know)”
Fiona Apple – “For Her”
Bear and the Beasts – “Asian-American”
Phoebe Bridgers – “Garden Song”
Leon Bridges feat. Terrace Martin – “Sweeter”
BTS – “Dynamite”
BUMPER – “Red Brick”
Cardi B feat. Megan Thee Stallion – “WAP”
Christine and the Queens – “People, I’ve Been Sad”
Brandy Clark – “Long Walk”
Diet Cig – “Thriving”
Dirty Projectors – “Lose Your Love”
Bob Dylan – “Murder Most Foul”
Father John Misty – “To S.” / “To R.”
Lupe Fiasco feat. Virgil Abloh – “Shoes”
Ben Folds – “2020”
HAIM – “I Know Alone”
Nick Hakim – “Qadir”
Ben Hopkins – “Laugh Track”
Carly Rae Jepsen – “This Is What They Say”
India Jordan – “For You”
The Killers – “Dying Breed”
Lianne La Havas – “Weird Fishes”
Lady Gaga – “Stupid Love”
Love Regenerator – “Hypnagogic (I Can’t Wait)”
The Magnetic Fields – “The Day the Politicians Died”
The Naked and Famous – “Bury Us”
Noname – “Song 33”
Nrthrn – “Nine Left Behind”
Kelly Lee Owens – “Melt!”
Margo Price – “Prisoner of the Highway”
John Prine – “I Remember Everything”
David Ramirez – “I Wanna Live in Your Bedroom”
RMR – “Rascal”
Run the Jewels – “Walking in the Snow”
SAULT – “Free”
Rina Sawayama – “Love Me 4 Me”
Chris Stapleton – “Maggie’s Song”
Sufjan Stevens – “Video Game”
Bartees Strange – “Mustang”
The Struts with Albert Hammond Jr. – “Another Hit of Showmanship”
Taylor Swift feat. Bon Iver – “Exile”
Thundercat – “Dragonball Durag”
Yves Tumor – “Gospel for a New Century”
Joshua Ray Walker – “Cupboard”
Jessie Ware – “Spotlight”
The Weather Station – “Robber”
Tierra Whack – “Dora”
Worriers – “End of the World”
X – “Cyrano deBerger’s Back”

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2020 in Review: The Best Albums

10. The Chicks – Gaslighter
It’s been 14 years since the band formerly known as the Dixie Chicks released an album, but they’re still filled with righteous fury. Instead of shitty presidents, their targets are abusive exes and the people who enabled them. While staying true to their country roots, this album expands their pop horizons on ballads like “Everybody Loves You” and anthems like “March March.”

9. Taylor Swift – folklore
After her impressively inauthentic documentary Miss Americana dropped in January, it seemed like we’d be getting more of the same from Taylor. But then, of course, the world changed. With a new creative push and a lot of free time (must be nice!), she recorded an entire new album in a few months with her producing partner Jack Antonoff, enlisting the poster boys (er, men) for Sad Bastard Music – Bon Iver and Aaron Dessner of the National – for an appropriately downbeat collection of songs. The result? Her best album to date.

8. HAIM – Women in Music Pt. III
If 2017’s Something to Tell You was just a tad disappointing, Women in Music Pt. III more than lives up to the hype, showing more mature songwriting and more impressive playing. The only downside is that this was the perfect summer album that came out in a year when we had to be stuck inside. At least they made the most of it by holding Zoom classes to learn the choreography for their memorable music videos.

7. Sufjan Stevens – The Ascension
After the stripped down, raw emotion of Carrie & Lowell and two collaborative albums that didn’t do anything for me, Stevens returns with an album that’s just as expressive, but goes fully into the electronic world, even further than he did on The Age of Adz.

6. Fleet Foxes – Shore
Thankfully, we only had to wait half the time in between albums as we did between Helplessness Blues and Crack-Up. Somehow it didn’t feel like a downer in such a depressing year. This was their most evocative album to date, transporting the listener to places other than their living room.

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What I Watched This Week: 10 Jan 2021

BINGEING
Danger 5 – Season 1 (A- average)
An absolutely ridiculous, wildly entertaining diversion. I described it to a friend as “Inglourious Basterds meets Team America at the Matt Helm Lounge.”

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Oscar Picks: 15 Jan 2021

BEST PICTURE
Da 5 Bloods
The Father
Ma Rainey’s Black Bottom
Mank
Minari
Nomadland
One Night in Miami…
The Trial of the Chicago 7


Falling off: News of the World
Rising star: Promising Young Woman
The skinny: It’s still a little weird that only three of these movies will have a traditional rollout, and all three won’t be out until February. Half of these will have hit Netflix, and one hits Amazon Prime today. This really will be the weirdest year for film ever, and there may not be any going back. News of the World barely made any noise with its Christmas Day release, so it (and its other possible nominees) are off the board, replaced by The Father, which seems to be picking up momentum beyond its guaranteed Best Actor nomination. The only problem? Sony Pictures Classics notorious fumbling of its Oscar contenders.

BEST DIRECTOR
Spike Lee, Da 5 Bloods
David Fincher, Mank
Lee Isaac Chung, Minari
Chloé Zhao, Nomadland
Regina King, One Night in Miami…

Falling off: None
Rising star: Florian Zeller, The Father
The skinny: These five remain for now, with Zhao in the lead as she’s picked up nearly every critics’ prize so far. Still seems odd a movie as small and intimate as Nomadland is the frontrunner, but here we are. Zeller’s transfer from stage to screen might be enough to propel him into the slate, but the same can also be said of George C. Wolfe’s adaptation of Ma Rainey’s Black Bottom.

BEST ACTOR
Riz Ahmed, Sound of Metal
Chadwick Boseman, Ma Rainey’s Black Bottom
Anthony Hopkins, The Father
Delroy Lindo, Da 5 Bloods
Gary Oldman, Mank

Falling off: Tom Hanks, Steven Yeun
Rising star: Kingsley Ben-Adir, One Night in Miami…
The skinny: There’s still a chance Yeun could make it, but he and A24 have had a bad run of luck with the Oscars as of late. (The studio has only earned one nomination in each of the past two years after a huge showing in 2017, and Yeun was snubbed for his tremendous turn in Burning.) A posthumous win for Boseman seems like a done deal, and he’s certainly deserving. Kingsley Ben-Adir is earning raves for his turn as Malcolm X, but Amazon will have to make an even bigger push for the film.

BEST ACTRESS
Viola Davis, Ma Rainey’s Black Bottom
Andra Day, The United States vs. Billie Holiday
Vanessa Kirby, Pieces of a Woman
Frances McDormand, Nomadland
Carey Mulligan, Promising Young Woman

Falling off: Amy Adams
Rising star: Zendaya, Malcolm & Marie
The skinny: And Hillbilly Elegy is officially dead. Amy Adams is gone, replaced by Carey Mulligan. Along with Kirby, they’ll give McDormand a run for her money. And Netflix now has another ace up its sleeve. They paid a pretty penny for Malcolm & Marie, which shot during lockdown and is earning raves. Fresh off her Emmy win, she’s a major challenger.

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2020 in Review: The Best Performances – Television

BEST ENSEMBLE IN A COMEDY SERIES
Schitt’s Creek
The four principle cast members finally got their due, each picking up an acting Emmy. But the show had a full bench of brilliant performers, including the always hilarious Chris Elliott as Mayor Roland Schitt. Most sitcoms would kill for a cast of characters this deep: Patrick (Noah Reid), the consummate straight man to David’s antics; Stevie (Emily Hampshire), the deadpan counterweight to the Roses’ eccentricities; and Ronnie (Karen Robinson) and Bob (John Hemphill), popping in with a gut-busting one-liner just when the show needs it.

BEST ACTOR IN A COMEDY SERIES
Jason Sudeikis, Ted Lasso
Sudeikis’ ads as the titular character were charming enough. But as the lead of this show, he’s finally found a role that fits him like a glove. His indefatigable spirit made believers out of his team, his owner and the viewers.

BEST ACTRESS IN A COMEDY SERIES
Alia Shawkat, Search Party
We already knew through two seasons of this show that Dory was not a good person. But she goes to a new level of disassociation in Season 3 when she convinces herself that she shouldn’t face any consequences for her actions. She became so borderline sociopathic, it left the rest of the ensemble to pick up the comedic slack. But no one on-screen was quite as compelling as Shawkat.

BEST SUPPORTING ACTOR IN A COMEDY SERIES
Mark Proksch, What We Do in the Shadows
The perfect embodiment of the troll, the “energy vampire” Colin is one of the greatest expansions of the mythology established by Taika Waititi and Jemaine Clement. In the season’s fifth episode, Proksch gets the spotlight, going mad with power as he drains so much energy from his coworkers the company goes belly up.

BEST SUPPORTING ACTRESS IN A COMEDY SERIES
Phoebe Fox, The Great
The entire cast of Hulu’s revisionist history series does excellent work. But I was most taken with Fox, playing Marial, a former lady reduced to the role of servant. She doesn’t have much else to lose, but manages to maintain a “fuck it” attitude while still remaining fiercely loyal to her people, whatever the cost.

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2020 in Review: The Best Comedy Shows and Specials

Marc Maron: End Times Fun (Netflix)
Though shot in 2019, this special felt perfect for the “Why is everything on fire all the time?” insanity of 2020. Maron lays out how we got here, without being condescending or wallowing.

Middleditch & Schwartz (Netflix)
Three hours of improv sounds like it could be torture. But like the highest highs of Whose Line Is It Anyway?, Thomas Middleditch and Ben Schwartz came up with brilliant stories and characters off the top of their domes. Then they kept those plates spinning at three separate shows, maintaining a rarely seen level of energy and creativity.

Nate: A One Man Show (Netflix)
Natalie Palamides’ audacious hour of comedy is one of the most uncomfortable things I’ve ever seen, which is partially the point. Her deconstruction of macho antics and consent is definitely not for everyone’s taste, but it’s certainly an hour you’ll never forget.

Tom Papa: You’re Doing Great! (Netflix)
Papa’s always been a nice guy and a solid comedian. But those traits meant even more in 2020, when the merest reassurance that we’re still doing fine as our good habits died felt like a balm.

Beth Stelling: Girl Daddy (HBO MAX)
Stelling layers gross jokes and funny anecdotes with righteous call-outs of exes and colleagues who abused women and enabled monsters. It never feels preachy or reductive, especially since it’s disarming from the jump.

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2020 in Review: The Best Shows – Honorable Mentions

Animaniacs
No show had a bigger chance of whiffing than this revival for Hulu. But the new writers and returning voice talent made it just as funny and subversive as the original run. They jettisoned all the other segments that didn’t work, keeping just the Warner Brothers and Sister, and Pinky and the Brain. The result was 13 hilarious, if occasionally uneven episodes. The most outstanding segments of each: the NRA-skewering “Bun Control” and “No Brainer,” in which Pinky and Brain meet Edward Snowden. My only note for Season 2? Bring back Good Idea, Bad Idea.

Brooklyn Nine-Nine – “Valloweaster”
There’s no telling when this will return, given COVID-related production delays and grappling with what role a cop show has in a world that’s woken up to the senseless violence the police inflict on their communities every day. But 2020 at least gave us this joyous episode, which ups the craziness of their annual Halloween heist outings.

Curb Your Enthusiasm – “Insufficient Praise”
This season walked a tightrope as Larry fends of accusations of sexual harassment in a post-#MeToo world and opens a coffee shop solely to spite an enemy. The season was mostly solid, but a little too self-indulgent, especially in episodes that pushed the 45-minute mark. But this episode, in which Larry offends Clive Owen by giving him a merely positive review of his new play, hit all the Curb sweet spots.

The Good Place – “Whenever You’re Ready”
It felt a little unfair to put this in my top 10 when only four episodes aired in 2020. But I had to take time to mention its stellar finale, which fills every inch of its extended runtime with proper send-offs for all its characters and one of the most genuinely moving explorations of death ever to grace the small screen.

How To with John Wilson – “How to Make the Perfect Risotto”
I arrived late to this HBO experiment but fell in love quickly with its oddball charms. John Wilson has a disarmingly sweet and curious nature, but he’s also an obsessive documentarian, which gave him an impressive library of B-roll to use to punctuate his jokes and observations. His finale was the best, as he arrived from his latest expedition just as the pandemic began, and his quest to make a risotto for his sweet old landlord became a beacon of kindness in a country that revealed it only had selfishness on its mind.

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2020 in Review: The Best Shows

Even with the hypothetical “more time” we had to watch TV this year – given that we were confined to our homes and many new shows halted production – it still never felt like “catching up” was possible. So here are my 10 favorite shows from this wretched year.

10. Briarpatch (USA)
I’ve listened to Andy Greenwald share his (sometimes questionable) opinions on podcasts for years now, but his first foray as a showrunner (and EP, writer and director) proves the man knows how to make quality television. His adaptation of Ross Thomas’ scorching Texas-set crime novel expands the scope, with surreal touches (like a menagerie of zoo animals on the loose) and alterations to the plot handled perfectly. Hats off to his casting director, too, who found a murderer’s row of character actors to inhabit the opaque townspeople.
Standout episodes: “Breadknife Weather,” “The Most Sinful MF’er Alive,” “Most Likely to Succeed”

9. Search Party (HBO MAX)
Its first two seasons debuted on TBS what seems like a lifetime ago, and its fourth season will arrive later in January. But WarnerMedia held onto this completed season for the (bungled) launch of HBO MAX. This ended up being the perfect decision for viewers, as those who had never seen the show (like me) or those who hadn’t seen it since 2017 the chance to catch up and go straight into this wild third season, which becomes a courtroom drama that takes the off-beat show into full-blown farce.
Standout episodes: “In God We Trust,” “A Dangerous Union,” “Irrefutable Evidence” 

8. The Crown (Netflix)
One of Netflix’s highest-rated shows finally broke into my top 10. It’s not that past seasons were bad, but this season jumped up a level. How did it pull that off? By focusing on the most human (Diana Spencer) and inhuman (Margaret Thatcher) figures in Queen Elizabeth’s orbit. Emma Corrin, who had very little acting experience, absolutely nailed the magic and horror of getting sucked into the Windsors’ lives. Gillian Anderson, an absolute pro, got the inflexibility and callousness of one of the worst women of the 20th Century.
Standout episodes: “Fairytale,” “Fagan,” “48:1” 

7. The Great (Hulu)
Unlike a certain other show about palace intrigue, backroom deals and copious amounts of sex, The Great did more than stand there and look pretty. Elle Fanning cements her status as one of the absolute best young actors, playing the naively optimistic Catherine, whisked away to a world of cruelty and endless parties. Nicholas Hoult perfectly walks the tightrope between evil and doofus as her husband Peter, who rules Russia with an iron fist and an erect dick. But its magnificent supporting cast steals every scene, secretly revealing their true motives, emotions and kinks when the royals aren’t present.
Standout episodes: Pilot episode, “Moscow Mule,” “A Pox on Hope” 

6. Mrs. America (Hulu)
Taking a fragmented approach to documenting the fight to certify the Equal Rights Amendment, Mrs. America gives us portraits of the women who risked their reputations, jobs and political capital for the causes they believed in. On opposite sides stood Gloria Steinem (Rose Byrne) and Phyllis Schlafly (Cate Blanchett), who had to battle not only each other but also divisive factions in their own groups. It’s almost like we’ve learned nothing in 50 years.
Standout episodes: “Shirley,” “Bella,” “Houston” 

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